| Veit Harlan | |
|---|---|
Harlan (right) with the widow of Ferdinand Marian, at Harlan's court case in 1948 |
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| Born | 22 September 1899 Berlin |
| Died | 13 April 1965 (aged 65) Capri, Italy |
Veit Harlan (22 September 1899 – 13 April 1964) was a German film director and actor.
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Harlan was born in Berlin. After studying under Max Reinhardt, he first appeared on the stage in 1915 and, after World War I, worked in the Berlin stage. In 1922 he married Jewish actress and cabaret singer Dora Gerson; the couple divorced in 1924. Gerson later died at Auschwitz with her family. In 1929, he married Hilde Körber, having three children with her before divorcing her for political reasons related to the influence of National Socialism. Afterwards, he married the Swedish actress Kristina Söderbaum, for whom he wrote several tragic roles, further increasing her popularity.
David Thomson asserts that Harlan, having just started directing in 1935, was only able to attract Goebbels' attention because so much directorial talent had emigrated from Germany after the Nazi takeover. By 1937, Joseph Goebbels had appointed Harlan as one of his leading propaganda directors. His most notorious film was Jud Süß (1940), which was made for anti-Semitic propaganda purposes in Germany and Austria. In 1943 it received UFA's highest awards. Karsten Witte, the film critic, provided a fitting appellation for Harlan calling him "the baroque fascist". Harlan made the Reich's loudest, most colorful and expensive films.[1]
After the war Harlan was charged with participating in the anti-Semitic movement and aiding the Nazis. But he successfully defended himself by arguing that the Nazis controlled his work and that he should not be held personally responsible for its content. In 1949, Harlan was charged with crimes against humanity for his role as director of Jud Süß. The Hamburg Criminal Chamber of the Regional Court (Schwurgericht) acquitted Harlan of the charges; however, the court of the British occupation zone nullified the acquittal.[2]
In 1951, Harlan sued for an injuction against Hamburg politician Erich Lüth for publicly calling for a boycott of Unsterbliche Geliebte (Immortal Beloved). The District Court in Hamburg granted Harlan's suit and ordered that Lüth forbear from making such public appeals. However, the lower court decision was ultimately overturned in 1958 by the Federal Constitutional Court because it infringed on Lüth's right to freedom of expression. This was a landmark decision because it clarified the importance of the constitutional civil rights in disputes between individuals.
Harlan made a total of nine films between 1950 and 1958, dying in 1965 while on vacation in Capri.[3]
In 1958, Veit Harlan's niece, Christiane Susanne Harlan, married filmmaker Stanley Kubrick, who was Jewish. She is credited by her stage name "Susanne Christian" in Kubrick's Paths of Glory (1957). They remained married until Stanley Kubrick's death in 1999.
Susanne Körber, one of his daughters from his second wife Hilde Körber, converted to Judaism and married the son of Holocaust victims.[4] She committed suicide in 1989.[4]
In 2001, Horst Konigstein made a film titled Jud Suss - Ein Film als Verbrechen? (Jud Suss - A Film As a Crime?).
The 2008 documentary Harlan: In the Shadow of Jew Süss by Felix Moeller explores Harlan's motivations and the post-war reaction of his children and grandchildren to his notoriety.[4]